Part two of the interview with Lee Murray Part one is here
Creative writing in primary school, what did you write about? Can you remember any stories?
This image from my autobiographical title All About Me, written, illustrated, and published by me in 1970 (aged 5). Already, it was clear I wasn’t going to be an artist.
I wrote my first dark ghostly murder mystery story when I was eleven. It was based on a clock with a secret compartment that I’d seen during a school trip to the Clapham National Clock Museum in Whangarei. Also that year, 1978, I wrote a courtroom parody entitled The Big Bad Wolf, where various witnesses were called to testify against the alleged repeat offender. Rip Van Winkle was unable to give his testimony because he kept falling asleep. I can’t remember exactly how it ended ‒ a political smear campaign by the PIG consortium, I think. So even as early as eleven, my writing was tending towards dark fiction and fabulism.
What do you do/where do you go for inspiration?
In school workshops, I tell the kids I get my ideas by stealing (character traits and story ideas from real life), eavesdropping, exaggerating, and lying.
Is there anything you’ve seen passed around as writing advice that you really disagree with?
I’m sure I’ll think of something the minute I’ve sent this blogpost off.
Do you believe in a divine muse, and if so, what’s yours like?
No, but if you want to keep writing stories it’s especially helpful to have a sponsor. In my case, that role is played by my husband, whose support allows me to keep at this writing gig. I also have Bella, who is sitting behind me on my computer chair, warming the small of my back. It’s wonderful encouragement not to move, to keep my bottom in the chair and carry on writing.
What does your physical writing space look like?
A picture paints a thousand words: Bella and me, at my desk.
Are you more a ‘write drunk, edit sober’ Ernest Hemingway, or a ‘shut the door, eliminate all distractions and write for a set amount of hours’ Stephen King? (or another famous writer’s approach, add in your own).
Writing is my job, so I sit down in my home office and work all day. Sometimes I yell at the family to turn the TV down in the next room. In terms of process, I’m an extremely slow writer. I can’t just spew the first draft onto the page the way many other writers do. The problem is my inner editor, who never turns off. She, more than anyone, tends to interrupt while I’m writing, making suggestions, demanding that I check this or that fact, or find a better word, or vary the sentence structure. Because of her, it takes me all day to write just 1000 words. On the other hand, because of her, I don’t tend to do a lot of rewrites either. I send the piece to my trusty betas, implement their suggestions, and then fire the work out.
Open up your skeleton closet: can you tell me about an abandoned project of yours which seemed awesome when you started but you’ll likely never return to?
There’s a button necklace, a knitted penguin (I’m a competent knitter, but believe me the instructions are impossible), and some failed short stories. I’m not even going to mention some of the disastrous meals I’ve cooked that we’ve decided not to eat.
Any advice for anyone looking to start writing?
Win the Lotto.
Favourites: Star Wars or Star Trek?
Hmm. Star Wars, original.
Hogwarts or Narnia?
Even harder. Hogwarts, just.
Ideal holiday, price and time no concern, where would you go?
My parents’ bach at Pukehina Beach, back when they still owned it, maybe circa 1975, and preferably for the entire summer.
If you could plan perfect meals for a day, what would each be, and would you snack?
Yellow porridge made by dad, Mum’s noodles, my brother’s vegetable kebabs, and my sister-in-law’s chocolate brownies.
Imagine you won one of those ‘grab a cart and spend five mins in a store’ competitions. Which store would you want to win it for, and what goods would you be shoving in the cart first?
Is there a store for lost friends, misplaced photographs, and a cure for Alzheimer’s? I’d like to stop by the returns counter too, to make the most of the opportunity to take back some mistakes, and possibly a couple of things I shouldn’t have said.
Imagine you’ve had your best ever year, what photos would you have from that year?
My family, my dog, holiday snaps, convention memories with friends, half a dozen from the top of the Mount.
Favourite song to sing at Karaoke? Favourite song to sing in the shower when no one else is home?
Umm. Even I don’t want to hear myself singing.
Desert island castaway time: you get an album, a book and a luxury item, what do you choose?
An album. Eros by Eros Ramazzotti
A book: To Kill a Mockingbird by Harper Lee
Luxury item: Cheese
What’s your favourite quote?
“I meant what I said, and I said what I meant, and an elephant’s faithful, 100%”—Horton the Elephant
Pokemon: if you were a trainer, what pokemon would be in your team? (you get 6)
There’s a little yellow one, right?
Weirdest hobby you have, other than writing?
We’ve just bought a caravan and it’s taking some time to get used to it, so maybe putting the awning up and down counts as a hobby. I am also addicted to renovation shows on the telly.
Any upcoming work?
Yes! I’m thrilled to announce my newest release Into the Ashes a stand-alone sequel to award-winning military thriller Into the Mist and the latest title in my Taine McKenna adventure series. Here’s the cover:
And here is the blurb:
No longer content to rumble in anger, the great mountain warriors of New Zealand’s central plateau, the Kāhui Tupua, are preparing again for battle. At least, that’s how the Māori elders tell it. The nation’s leaders scoff at the danger. That is; until the ground opens and all hell breaks loose. The armed forces are hastily deployed; NZDF Sergeant Taine McKenna and his section are tasked with evacuating civilians and tourists from Tongariro National Park. It is too little, too late. With earthquakes coming thick and fast and the mountains spewing rock and ash, McKenna and his men are cut off. Their only hope of rescuing the stranded civilians is to find another route out, but a busload of prison evacuees has other ideas. And, deep beneath the earth’s crust, other forces are stirring.
Praise for Into the Ashes:
“INTO THE ASHES is a kick-ass thriller with twists you will never see coming! Lee Murray serves up a nail-biter of a weird-science action adventure. Brava!” — Jonathan Maberry, New York Times best-selling author of DEEP SILENCE and V-WARS
Part disaster novel, part supernatural adventure – a suspenseful, action-packed thriller that’s entertaining as hell! —Tim Waggoner, author of TEETH OF THE SEA and BLOOD ISLAND
“INTO THE ASHES hits the ground running and does not let up. A unique background, interesting characters, a dollop of horror, and a relentless, thriller pace.” — Charles R Rutledge, co-author of the Griffin and Price series.
“Murray’s INTO THE ASHES reads like a gauntlet – an action-packed adventure where death strikes from every side. A thrilling read!” — Ashley Knight, co-author of HERALD
Lee Murray is a multi-award-winning writer and editor of science fiction, fantasy and horror (Sir Julius Vogel, Australian Shadows). Her works include the Taine McKenna adventure series, and supernatural crime-noir series The Path of Ra (co-written with Dan Rabarts). She is also the editor of ten dark fiction anthologies, the latest being Hellhole: An Anthology of Subterranean Terror (Adrenalin Press). Lee lives with her family in New Zealand where she conjures up stories from her office overlooking a cow paddock.